Research artist in the fields of memory, identity and migration
Group show: 450 women have been murdered in Ciudad Juarez
Artists: Erica Arce, Marisa Cornejo, Melissa Ehrenreic, Irene Gennaro, Jain Hutzell, Nefertiti Kelle- Farias, Lydia Martin, Ryan Sarah Murphy, Heloisa Pomfret, Favianna Rodriguez, Dorothy Simpson Krause, Izel Vargas and Patricia Yossen.
Curated by: Keith Miller
Venue: SAC Gallery, Stony Brook University, New York, USA.
Dates: 02.10.–04.11.2007
Title: Je t’aime beaucoup, reading/installation
Text: Miguel D. Norambuena
Proposed by: Marcela San Pedro and Marisa Cornejo
With: Marisa Cornejo, Pascal Desarzins and Sara Oswald (cellists)
Exhibition: Performances en chambre
Venue: Villa Bernasconi, Geneva, Switzerland
Date: 07.02.–09.02.2007
Works: We were all equals, ink and sequins on paper, 30x42cm, 2004. Documental, ink and sequins on paper, 32x40cm, 2003
Exhibition: Pour le droit de vivre en paix. Hommage au chanteur chilien Victor Jara
Artists: Roxana Alvarado, Monica Cantillana, Eduardo Cereceda, Lao Cordoba, Luis Gutiérrez, Juan Hannon, Yita Henriquez, Marisa Cornejo, María Cecilia Coll, Erwin Díaz and Adriana Chihuailaf
Opening: 14.05.2006 – In presence of General Poblete, one of the two generals who refused to participate in the Coup d’Etat in Chile in 1973
Venue: Les Chiroux, Centre Culturel de Liège, Belgique
Dates: 15.04–06.05.2006
Artists: Marisa Cornejo, Carlos Gómez, Andreas Von Gehr, Carlos Ruiz and Thierry Deffert.
Curated by: Natalia Arcos
Venue: Maus Hábitos, Espaço de Intervenção Cultural,
Rua Passos Manuel 178, 4º, 4000-382 Porto, Portugal
Date: November 2003
Schematization of Exquisite Emigrants:
1:: Marisa Cornejo — Emigration > Identity: The Self in the Other > romantic relationships > altered drawings and photographs > baroque, dispersed arrangement of the work > overflow encouraged by Mexicanism.
2:: Andreas von Gehr — Immigration > Identity: The Self in the Father > family relationships > digital photography and installation > contained, calculated arrangement of the work according to rules of perspective > rationalism characteristic of the German prototype.
3:: Carlos Gómez — Emigration > Identity: The Self in My Environment > professional relationships of fellowship and competition > painting and objects > horizontal arrangement of the work with object-based elements allowing spatial and semantic openness.
Title: Nacimientos navideños. Hechos por artistas de Vanguardia
Artists: Pablo Vargas Lugo, Katia Duregon, Miguel Calderón, Artemio, Adriana Días de Cossio, Marisa Cornejo, Joshua Okon, Taca, Daniela Rossel and Rodrigo Aldana
Venue: La Panadería, Amsterdan 159, Col. Condesa, México D.F., México
Date: 17 December 1997
Installation: Modulo de información, collection of photoraphs on cilinder, 160x250cm, 1997
Exhibition: Diálogo México-Tijuana
Artists: Marisa Cornejo, Saúl Cortéz, Andrea Ferreira, Jonathan Hernandez, Rocío Ortega y Vicente Razo
Venue: Centro Cultural de Tijuana, Tijuana, México
Date: November 1997
Artists: Marisa Cornejo, María Ezcurra and Mariana Gulco
Curated by: María Ezcurra
Venue: Centro Cultural Contreras, México D.F., México
Date: March, 1997
Title: No toda, paintings
Exhibition: Espacios imaginarios
Artists: Marisa Cornejo and Mariana Gulco
Curated by: Itala Schmeltz
Venue: Facultad de Filosofía y Letras, UNAM, México City, México
Date: March 1997
No toda, Marisa Cornejo
Venus, como las perlas, nace de una concha marina y la espuma del mar despierta en ella su sensualidad viajera. Venus recorre, con su percepción, los reinos de lo sensible. Su cuerpo es vegetal, es caracola, es ave, es la humareda del tren que vimos pasar, o el atardecer surcado por un helicóptero. Venus, en la obra de Marisa, es la gracia y la belleza que dejan los espacios vividos en nuestra percepción sensible. — Itala Schmeltz
Not All, Marisa Cornejo
Venus, like pearls, is born from a seashell, and the sea foam awakens her wandering sensuality.
With her perception, Venus travels through the realms of the sensuous.
Her body is plant, is seashell, is bird, is the smoke of the train we saw go by, or the sunset crossed by a helicopter.
Venus, in Marisa’s work, is the grace and beauty left behind by lived spaces in our sensitive perception. — Itala Schmeltz
Artists: Artemio, Eduardo Abaroa, Francis Alÿs, Miguel Calderón, Marisa Cornejo, Daniel Guzmán, Jerónimo López (Dr Lakra), Julián Lede, Richard Moszka, Yoshua Okon and Grupo Titan
Curated by: Eduardo Abaroa, Miguel Calderón and Yoshua Okón
Venue: Estancia Infantil Topiltzin, Guadalajara, México
Date: 27–29.09.1996
Esta exposición colectiva es un evento paralelo a la feria de Arte de Guadalajara organizado por La Panadería. En ella, Eduardo Abaroa, Miguel Calderón y Yoshua Okón solicitan al resto de los artistas invitados que utilicen el jardín de niños Estancia Infantil Topiltzin como parámetro conceptual para la elaboración de sus piezas, característica que dota a la exposición de múltiples posibilidades de alterar el orden de los objetos, crear una relación distinta entre forma y significado e intentar una resignificación de los espacios de la escuela.
This group show is an event organized by La Panadería parallel to the Guadalajara Art Fair for which Eduardo Abaroa, Miguel Calderón and Yoshua Okón invited the other artists to use a kindergarten in Guadalajara, Estancia Infantil Topiltzin, as a conceptual parameter for the creation of their work. This allows the exhibitors a multiplicity of possibilities to alter the order of the objects and to create a different relationship between form and signifier and, in this way, to modify the school space.
Title: Limpia: en el arca hay sitio para todos, 350x530cm, 1996
Exhibition: México develado
Artists: Carlos Arias, Pedro Barra, Marisa Cornejo, Roberto Duarte, Alejandro Escribano, Ingrid Fugellie, Oscar Hernández, Cristian Marambio, Claudio Rivera, Edwin Rojas, Eugenia Vargas and Isabel Viviani
Curated by: Claudio Rivera
Documentation: Daniela Rossel
Venue: Centro Cultural Isidro Falabella, Mexico D.F., México
Date: 1996
